Artificial intelligence is often framed as either a creative threat or a magic shortcut. For many indie filmmakers, it’s quietly becoming something else entirely: a support system. This panel explores how filmmakers are already using AI in grounded, ethical, and non-replacement ways to sustain their work. This conversation centers on real-world applications: grant writing assistance, project organization, translating visual ideas for collaborators, troubleshooting technical workflows, and managing professional correspondence, especially for solo filmmakers and small teams working without traditional support structures. The discussion touches on AI as a practical learning and communication tool, such as using screenshots to understand editing software and communicate visual references clearly to editors, FX artists, lighting teams, and other collaborators. They discuss how AI can function as an administrative aid and thought partner without replacing artistic voice or human decision-making. They address limitations, risks, authorship concerns, and how to integrate these tools responsibly into creative workflows. Designed for independent filmmakers navigating limited resources, burnout, and growing expectations, they offer a grounded look at what AI can and cannot do right now for the working artist. Presenters: David Jackson II, Amy Scatliff, and Elizabeth P. Kealoha David Jackson II is a filmmaker and motion designer, and the founder of Black Space Creative, a studio focused on video production, motion design, and storytelling. His work spans documentary, branded content, and live event visuals, and he has received multiple Emmy Awards for motion design. David explores practical uses of artificial intelligence as a creative thought partner and production tool that helps independent filmmakers work more efficiently without replacing artistic voice. Amy Scatliff is a filmmaker, artist, and speculative designer based in Rome, Georgia, whose work spans documentary, narrative, and installation formats. Through her studio, Everyday Futuristic , she develops long-term, artist-led investigations into adulthood, learning, and invention, including Sassy (2016), Queen of Threads (2022), and the ongoing Adult Life Lab . Elizabeth Kealoha is a Generative Media Executive Producer and founder of Myelin Pictures , a production and consulting company built at the intersection of storytelling and emerging technology. She co-founded Altera , an AI creative community and ecosystem, and serves as Editor of the Machine Cinema newsletter, a publication for practitioners at the frontier of AI-powered filmmaking. With over 25 years of experience in film and television — including leadership at Turner Broadcasting and Katz Networks — Elizabeth now focuses on building practical workflows and creative infrastructure for independent creators.